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BEYOND THE BLACK RAINBOW MOVIE
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Much later than that, I always loved movies, but when it really became crystallized to me what a director does was watching After Hours and Evil Dead 2 back to back. And my dad would tape movies off of cable channels in L.A., on beta, so he had an enormous collections of thousands of movies that I was able to dip into throughout my whole life, from every era imaginable, Even though I wasn’t allowed to watch R-rated stuff, I was watching films from pretty much the day I was born. That was one of the things about growing up in that household: There was a constant exposure to all kinds of films. When you were growing up, did your father show you a lot of the movies that influenced him as a filmmaker? I’d imagine that growing up with a father who’s a filmmaker would lead to being exposed to movies all the time. When I started to explore these memories, it brought this whole thing to life. It was in sort of a dormant state before that before my father died, the idea for the film had been in this dormant state for a long time.

Were you already thinking about Beyond the Black Rainbow and its specifics before that memory came to mind, or did this project completely derive from that memory? The Brood is one of them, definitely, but when I was working on this film, I didn’t want to think about the memory too specifically-I just wanted to have that memory and use it as a starting-off point. I just decided to use that as the foundation for the whole thing.Īre there any old VHS covers that stick out in your mind the most to this day? After my dad passed away, I started to really have these really vivid memories of the past, and as I was sort of exploring ways to approach this story, I recalled that memory being inside the Video Attic and looking at all of these VHS boxes of R-rated horror and science fictions films and how I would just daydream about the covers and the plot descriptions on the back. Well, that was back in the early ’80s, probably ’82, maybe ’83.

BEYOND THE BLACK RAINBOW MOVIE

Interview by Matt Barone ( read that the origins of Beyond the Black Rainbow trace back to your childhood days spent inside a movie shop called the Video Attic. Complex spoke with Beyond the Black Rainbow’s visionary overseer to discuss the film’s background in old VHS horror tapes, how Martin Scorsese’s After Hours was a huge influence, and the notion of using story as a musical instrument. Cosmatos, the Greek/Italian director behind the badass Sylvester Stallone flicks Cobra (1986) and Rambo: First Blood Part II (1982). It’s also a very impressive introduction for Cosmatos, the son of George P. With an unnerving synthesizer score that’s straight out of John Carpenter’s ’80s movies, not to mention touches of telepathy, homicide, the occult, and cosmic dread, Beyond the Black Rainbow is a mind-fuck of the highest order. The power and singularity of Beyond the Black Rainbow lie in its otherworldly, horror-thick imagery and the enveloping nightmare mood, all presented with a retro aesthetic that brings to mind what those Dharma Initiative reels seen on ABC’s Lost would look like if viewed through a Fangoria filter. And the fleeing, naturally, doesn’t happen smoothly.Īs Cosmatos himself would tell you, though, Beyond the Black Rainbow isn’t really about what’s happening in the narrative sense. After a few tests go haywire, and Nyle loses his mind, Elena decides she’s ready to escape.

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Arboria’s research institute, where a young girl, the non-speaking, ethereal Elena ( Eva Allen) undergoes a series of probing mental tests at the hands of doctor, and first-class creep, Barry Nyle ( Michael Rogers). First, let’s start with the story at hand: Set back in an unfamiliar, Stanley Kubrick/ 2001: A Space Odyssey-inspired incarnation of Reagan-era 1983, Beyond the Black Rainbow mostly takes places inside the facilities of the now-ancient Dr.

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Oh, how to describe first-time feature filmmaker Panos Cosmatos’s trippy, made-for-midnight-madness debut Beyond the Black Rainbow (which opened in limited theatrical release yesterday).

Beyond the black rainbow